REVERBERATIONS OF ROMANIAN MUSICAL NEOCLASSICISM

Abstract

In the first half of the 20th century, prominent representatives of Romanian musical neoclassicism, such as Dinu Lipatti, Mihail Ardricu, will turn their attention to a musical genre in which the orchestra is treated as a concert instrument. Called a concert for orchestra, this genre involves the combination of forms and ways of writing in which musical ideas are developed in broad forms, with a specific orchestration, close to symphonic particularities, but which also considers the emancipation within the orchestral ensemble of some instruments whose vesting with a soloist role and revealing some virtuoso techniques, contribute to the realization of the concert spirit in all its components: melodic, rhythmic, dynamic and coloristic-timbral.